For the last few months, people have been asking me about the post-production involved in the photos on my blog post “70 basketball portraits I did in two days.”

I always planned on sharing it with everyone but just haven’t had time to put anything together until now. Recently, I was asked to do a guest post for Scott Kelby’s blog and thought, “What better way to share this Photoshop tip with everyone than on Mr. Photoshop himself’s blog, Scott Kelby?” I was pretty giddy, to say the least.

It’s actually a pretty simple process that has a few steps to get this “look” (and its not LucasArts or HDR:)).

I wanted to make sure everyone who reads my blog also got to check it out as well.

Here goes:
There is one thing you must promise me–and yourself–before reading this post. Repeat (or read) after me:

“I, (state your name, or clever web user ID) will not overuse this technique on EVERY photo I take. I will only use it in moderation.”

Good, now that we got that out of the way, I just want to say that I don’t have an action made, nor do I think you should make one with this style of post processing. It all has to be about feel and knowing when you have gone too far or when to go further. It all varies depending on the scene and lighting. On this session of portraits, I went further than I normally would because that is what the client needed.

Step one: Lighting

To get a hard look, you have to have a hard light. I started with a three-light setup for most shots: Two back lights set at full power (Alien Bees Ab800) behind the subject, hitting the sides of their faces, and one in the front at a lower power with a small softbox. I added a fill light and background light when needed. See setups here.

This light set up changed slightly depending on the subject.

Step two: RAW Conversion

On this photo I started with a raw conversion and just slightly tweak levels to get the photo at a good color and contrast. The photo below is very close to raw, I cleaned a few dust spots that were on the photos from not cleaning my camera before…oops.

Step three: Dodge and Burn

The next step is a the one that really gives it that 3-D look. It’s were you take the subject’s highlights, shadows and features and “Carve” them out using dodging and burning.

Now there are a ton of ways to do this but this is how I do it. I first create a new layer by pressing (apple shift N) or by going to Layer/New on the top bar. I then change the blending mode to Softlight. Then change your brushes opacity to 5% and make sure it’s on 0% hardness. You can make two layers, one for highlights, one for shadows, but I usually just use one.

Next I go along and “paint” (with the brush) or enhance shadows and highlights that are already there. This really makes the photo pop out.

After this is done.

Step four: High Pass

I enhanced the contrast by duplicating the original image layer and de-saturating it by pressing (command (apple)-shift-”U”). This is important. If you don’t do this, your photo’s color will be really off once you select your blending mode. Then I select either soft light or hard light, depending on the amount of contrast I want to add.

The next thing I do is go to filter/other/high pass. This is what gives it the shinier look. This is also a key step because you must use judgement to determine how much of the effect you want. I usually go from somewhere between 100-200 depending on the amount of highlights I want to bring out. Again, you have to use your best judgement on this.

If the effect is still to much be sure to use your layers window and decrease the opacity on the high pass layer.

Step five: Color

The next thing I did was desaturate the reds in the photo. I used the hue/saturation window for this and changed the edit color from “master” to “red.”

Again, use your best judgment on this as well and take down as much or little as needed.

After I de-saturated the reds, I cropped and turned the image.

Step six: Final Touches

I’m almost done and I have the look I want, so I increase the contrast and brighten the photo.

Below is my final layers window.

As you can see, a lot of it is manual Photoshop, where you should tweak certain aspects and not rely on an action.

I hope that helps some of you in your Photoshop quests.

I would love to see finished products, so be sure to leave your comments here or on my blog with links to your finished work. If you have any questions, feel free to ask.

If you would like to see more photos and set up shots from the shoot click on the photo below.

Thanks for reading!

If you want one, leave your address! When there printed, Ill send you one.

This year, I wanted to do something fun for our christmas card. We always plan out one but never follow through with it. So this year I had to go all out. What better way to start, than with a crude 1st grader like drawing that took about a minute.

Then we add the models. This was a tough one because peanuts (our dog) schedule is very full and doesnt like to be photographed and Rachel gets tired of me taking pictures of her almost immediatly after I start.
First we started with peanut. To get this amazing poise Rachel held a treat above her head to make her stand up. The viscious craze in her face was just a bonus.
Then we added us. I had to place my camera on a tripod and use remote to trigger the camera. To light it, I used 4 alien bees, a large soft box for the main light , 2 lights behind to give some highlights, and one on the background.

I then took the photos and cut them out using OnOne’s Mask Pro 4.1 (free trial!) This is a really cool program and a huge time saver. I toned the images together and gave our legs shadows under to make the photos blend together better. I then took the head of Peanut and rotated it down. Then I put it on a green background (using a new layer and paint bucket) to clean up the rest of the pic.

Then I needed a background. So I found a sky picture on a free stock photo page on the internet.

We just moved to Los Angeles this year from washington so what better way to show that than the Hollywood sign. (courtesy of my friend and his point and shot camera) I obviously took the liberty of making the hill the sign sits on a little more rounded. I did this by taking the left side and pasting it at an angle on the side, then blended it.

I added some palm trees to make it more california like and birds cause we were flying and needed company.

Finally I changed peanuts paws in the rear to look more like she is not standing on something. I did this by copying her front paws and then transforming them and blending them in. Then I put a motion blur on us and peanut to make it look like we are going fast (and cause its fun)

Thats it! If you have any specific questions leave me a comment.
Thanks for looking! Special thanks to our dog for being a trooper.